Head in image of a porcelain Jug of flattened form with an intense predominantly purple glaze made by Emmanuel Cooper, circa 2000.
Top down view of a porcelain Jug with a flattened form and purple glaze made by Emmanuel Cooper. This British Studio Pottery Jug was probably made around 2000 but Cooper set up his London pottery in 1963.
Top down view of a handmade jug designed by leading British studio pottery Emmanuel Cooper. Cooper jugs are held in the permanent collections of museums including the Victoria & Albert Museum, and the Philadelphia Museum of Art.
Detail of the hand moulded spout on an Emmanuel Cooper jug. Cooper was one of the most significant figures in 20th & 21st century British ceramics, in the capacity of writer, editor, lecturer, and curator, as well as maker.
Emmanuel Cooper Porcelain Jug
Emmanuel Cooper Porcelain Jug
Head on image of an Emmanuel Cooper jug in a vibrantly coloured purple, pink and blue glaze which contrasting with the clean, neat and functional form of the jug.
An Emmanuel Cooper jug, contrasting the clean, neat and functional form is the jugs glaze. Richly applied in layers, it is mildly textured, and dramatic containing colours of blues, deep pinks and bright splashes or purple.
Detail of the back of an oval shaped Emmanuel Cooper jug. The An Emmanuel Cooper jug has a crazy red & purple glaze.
View of the back of an Emmanuel Cooper jug where the slab cut handle is joined. The colourful glaze has shapes in it similar to flames or stripes.
Reverse view of an Emmanuel Cooper jug with a velvety purple, pink, red, and blue glaze. This is a very tactile piece of British Studio Pottery..
Zoomed in image showing the rim of a ceramic jug by Emmanuel Cooper jug. The vessel does contain a small 3cm long crack that travels downwards.
Photo showing the inside wall of an Emmanuel Cooper jug. Unfortunately there is a crack, 3 cm long.
Detail shot showing the heel and foot of an Emmanuel Cooper jug. The experimental glaze clearly ran all the way to the bottom of the item and had to be chipped away to reveal a clean base.
Zoomed in image of the base and heel of an Emmanuel Cooper jug. The thickness of the experimental glaze can be seen clearly.
Top down view of the heel of an Emmanuel Cooper jug. The maker had to cut glaze from the heel to create a clean foot and standing for the art piece.
Detail of the edge of an Emmanuel Cooper jug's base. The glaze is thick and contains bubbles. Emmanuel Cooper made this jug circa 2000.
View of the underside of an Emmanuel Cooper jug. The centre of the base features Emmanuel Coopers makers mark which is an 'EC' monogram.
Detail showing the makers mark of British studio potter Emmanuel Cooper. The impressed seal is Emmanuel Cooper's monogram formed of his initials, EC.
Image showing inside of an Emmanuel Cooper jug. All sides of the jug are covered in mottled blue glaze. One blue is navy the other like sky-blue.
Zoomed in image of the inside of an Emmanuel Cooper jug. The interior is glazed entirely. The colours are navy-blue and sky-blue. Emmanuel Cooper was an expert in glazes and glazing techniques.
An Emmanuel Cooper jug with an experimental red and blue glaze with splashes of purple. The jug not unlike forms explored by Walter Keeler stands atop a plain linen tablecloth.
Detail of the strong and confident spout on an Emmanuel Cooper jug. This shape would have been formed by hand stuck to the main body of the jug which is thrown.
Detail showing the tip or a pouring spout on an Emmanuel Cooper jug. The lip is damage free and pours well.
Detail of a exaggerated handle cut from a slab of porcelain. This is a great example of Emmanuel Coopers work.
Head on shot of a large ear shaped handle on an Emmanuel Cooper jug. The handle is geometric but clearly handmade. This item is available to view and buy from South West London based Art & Utility.
Head on shot of the main body of an Emmanuel Cooper jug. This surface is the perfect backdrop to Coopers outlandishly colourful experimental glaze which contains reds, pinks, purple, and blues.
Detail of the glaze at the base of an Emmanuel Cooper jug. The lowest layer of the glaze is blue. Worldwide shipping available from Art and Utility, London.
Emmanuel Cooper Pottery, London

Emmanuel Cooper Porcelain Jug

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A porcelain Jug of flattened form with an intense predominantly red glaze made by Emmanuel Cooper, circa 2000.

Cooper set up his own pottery in London in 1963. Initially he focused on utility tableware, but later specialised in individual pieces with bold glazes, such as bowls and jugs. Jugs can be considered of exceptional interest to Cooper whose experimentation with this vessel was distinguished by a range of innovative glazes, like the unexpected glaze seen on this piece.

Cooper made many jugs during his impressively dedicated and successful career. Indeed, the many museums that hold his work possess a jug. [1] According to Cooper, ‘the jug is a form that relates directly to the domestic environment and to the 'concept' of use and functionality. It can be 'used' but is intended to be looked at rather than be functional in any conventional sense.’ [2]

The main body of this vessel is assembled from a thrown sleeve of porcelain, flattened and cut. The handle has been cut from a slab, and the spout is modelled.

Contrasting the clean, neat and functional form is the jug's glaze. Richly applied in layers, it is mildly textured, and dramatic containing colours of reds, blues, deep pinks and bright splashes or purple.

Cooper was one of the most significant figures in 20th & 21st century British ceramics, in the capacity of writer, editor, lecturer, and curator, as well as maker. Cooper was chair of the Craft Potters Association and helped found Ceramic Review in 1970.

As well as continuing as editor until 2010, he was an extensive and influential writer and broadcaster on the arts. His books include Ten Thousand Years of Pottery (2000), biographies of Bernard Leach (2002), Janet Leach (2006), Magdalene Odundo (2004), and Lucie Rie (2012), as well as works on working-class art and homo-erotic art and photography.

[1]. Cooper jugs are held in the permanent collections of museums including the Victoria & Albert Museum, and the Philadelphia Museum of Art.

[2]. Maker's statement recorded by the Crafts Council.

Designer: Emmanuel Cooper

Manufacturer: Emmanuel Cooper

Year of Design: C. 2000

Date Produced: C. 2000

Colour: Blues, pinks, purples, black, white

Height: 14 cm, Width: 24.5 cm, Depth: 8 cm

Condition: Contains a crack towards the back of the jug that runs 3cm down from the rim. Photographed.

Branding: Impressed monogram mark, ‘EC’ for Emmanuel Cooper.